References:

• Ayyappappanikkar. (n.d.). The theory and practice of the narrative in India. In Ayyappappanikkar, Indian Narratology (pp. 1-10).
• Behl, B. K. (2004). Ajanta the Fountainhead. Frontline, Vol 21.
• Behl, B. K. (n.d.). The Ajanta Caves.
• Buddhism?, W. i. (n.d.). http://www.accesstoinsight.org/theravada.html.
• Dahejia, V. (n.d.). Retrieved from On Modes of Visual Narration in Early Buddhist Art.
• Diem, N. T. (n.d.).The Role of Animals in Indian Buddhism with special reference to the Jatakas, 94 - 156.
• http://dharmalib.net/a-glimpse-at-the-ajanta-caves-of-india. (n.d.).
• http://www.age-of-the-sage.org/buddhism/buddhist_philosophy.html. (n.d.).
• O'Brien, B. (n.d.). http://buddhism.about.com/od/sacredbuddhisttexts/a/The-Jataka-Tales.htm.
• Rhi, J.-H. ( 3/4 (1994)). The Beginning of Iconic Representation in Buddhist Art. Artibus Asiae, Vol. 54, 207-225.
• Rinpoche, M. (2007). The Joy of Living: Unlocking the Secret and Science of Happiness. Harmony Kindle Edition.
• Sharma, M. (n.d.). Disquisitions on the paintings of Ajanta. 121-141.
• Spink, W. M. (n.d.). http://books.google.co.in/books?id=UPqUHXlwXdcC&redir_esc=y. Retrieved from Cave by Cave.

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