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Home / Case study / Unmasking the Mask Tradition / Introduction

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Design Case study

Unmasking the Mask Tradition

Exploring Traditional Sri Lankan Mask Forms Using Paper Manipulation
by
Jayamuthu Edirisinghe and Prof. Mandar Rane
IDC, IIT Bombay
Introduction
 
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The project "unmasking mask tradition - exploring traditional Sri Lankan mask forms using paper manipulation" is result of my great inclination towards traditional Sinhalese arts and crafts as well as paper manipulation.

Mask dancing is a well established tradition which has been developed from pre- buddhist period in Sri Lanka. South-western coastal area of the country is well known for masks carvings as well as performances. The city Ambalangoda is most famous for masks and most of the traditional masks have been exhibited in Ambalangoda "Ariyapala and sons" mask museum. There are two main categories of traditional Sinhalese mask performances namely; Sanni yakuma which deals with healing rituals and Kolam natima, which is related to fertility and more of comic aspects. Both of these are linked with Buddhism, Hinduism and Sinhalese history and mythology. Each and every mask carries different expressions, colour scheme and characteristics and connections with Sinhalese folklore.

Forms, colour schemes and expressions of the characters were studied thoroughly and three dimensional aspects of the masks were explored through paper manipulation in order to create a novel experience for the viewer. This is an effort to explore and visually represent a dying tradition of mask in an interesting manner. Paper manipulation techniques such as origami, pop up, paper structuring techniques have been explored in creating the visual experience of traditional masks. Visualising the essence of traditional Sihalese masks through the medium of paper and creating their three dimensional aspects was challenging.

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