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Home / Gallery / Chikankari Embroidery

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Design Gallery

Chikankari Embroidery

Embroidery Work on Cotton Material
by
Prof. Bibhudutta Baral, J. Antony William and Anushree Kumar
NID, Bengaluru
  • Printer-friendly version
  • Kairi- mango motif with fine Phanda, Jaali and Hathkati work.

  • Border in Bijli work.

  • Phanda and jaal work done on sari.

  • The magnificent look of Hathkati, jaali and phanda stiches.

  • Eye captivating Phanda knots, Bhakia shadows and Bijli flowers.

  • Fascinating flower design in shadow stitch.

  • Bright hues in Ghas patti, Phanda and gol-murri stiches.

  • Shadow work.

  • Chain stitch in silver sheen.

  • Another shadow and Phanda work.

  • Sidhaul Jaali and Kangan work.

  • Heavy Chikankari embroidery done on sari pallu.

Kairi- mango motif with fine Phanda, Jaali and Hathkati work.

Border in Bijli work.

Phanda and jaal work done on sari.

The magnificent look of Hathkati, jaali and phanda stiches.

Eye captivating Phanda knots, Bhakia shadows and Bijli flowers.

Fascinating flower design in shadow stitch.

Bright hues in Ghas patti, Phanda and gol-murri stiches.

Shadow work.

Chain stitch in silver sheen.

Another shadow and Phanda work.

Sidhaul Jaali and Kangan work.

Heavy Chikankari embroidery done on sari pallu.

Lucknow- the state capital of Uttar Pradesh is world renowned for its traditional Chikankari Embroidery. Chikankari is the embroidery work done with the white cotton thread on fine white cotton material. The word 'Chikan' is basically derived from Persian word 'Chikeen'. In earlier days, the Chikankari embroidery is traditionally done on mulmul- fine muslin cotton. Due to non-availability of mulmul, now-a-days this work is done on cotton, wool, chiffon, crepe, organde chiffon and silk clothes using contrast colour threads. The origin of Chikankari is initiated by the influence of intricate carving patterns of Mughal architecture during their period. The Chikan work in Lucknow is older than 200 years and later it is patronized by Nawabs. There are 5000 families involved in Chikankari embroidery in and around villages of Lucknow. The artisans belong to local Muslim community. Nearly 90% of Chikankari work is done by women professionally. Delhi, Mumbai are the other centers for Chikankari work. Chikankari embroidery consists of 40 different types of stiches. Among them, the five basic stiches are Phanda-small circular dot, Jaali, tepchi-the running stich, murri and bakhia- the most common and popular stitch that gives the shadow effect. Dhoom, Gol-Murri, Janjeera, Keel, Kangan-bangle, Dhania Patti, Murri lambi -the murri stitch ends with sharp point, Karan Phool, Karan, Kapkapi, Bijli, Ghas Patti, Rozan, Meharki, Kaj, Phool chameli, Chane ki patti, Balda, Jora, Penchni, Kauri. Sidhaul jaali, Makra, Mandrazi, Bulbul Chashm, Phool Jaali and Tajmahal are the varieties of Jaali work. Hathkati and bank jaali are the straight line jaali works.

For more details:
http://dsource.in/resource/chikankari-embroidery-lucknow-ii

Kairi- mango motif with fine Phanda, Jaali and Hathkati work.

Border in Bijli work.

Phanda and jaal work done on sari.

The magnificent look of Hathkati, jaali and phanda stiches.

Eye captivating Phanda knots, Bhakia shadows and Bijli flowers.

Fascinating flower design in shadow stitch.

Bright hues in Ghas patti, Phanda and gol-murri stiches.

Shadow work.

Chain stitch in silver sheen.

Another shadow and Phanda work.

Sidhaul Jaali and Kangan work.

Heavy Chikankari embroidery done on sari pallu.


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